This has been the month of the cello! I had the opportunity to add a few more to the Fegley Collection this week. Quality cellos for sale under $5,000 are getting hard to find these days. With all of the inexpensive imports coming in I am happy that I can still purchase most of my inventory privately through players or retired players.
I added two German cellos to my inventory this week.
These cellos are in fine condition and are now available for trial! I also have an older American made cello by Joseph Kaye, a maker originally from Reading and made his way out to Pittsburgh where most of his instruments were a high quality and played in the local Symphony.
If you are looking for quality cellos for sale that won’t break the bank Fegley’s is the place to come…
A fine cello, handmade by Hermann Bachle, also spelled Baechle. Although it is almost 40 years old, this cello is in near mint condition. It was purchased in 1977 at the Meisel Violin shop in Owatonna, Minnesota and was rarely used by its owner who was an instrument collector.
The cello is modeled from Guarnerius Del Gesu. The back is two-piece European maple with medium curls and is a very clean, beautiful back. The top is European spruce and has a very straight grain with quite a few bear claw markings.
The scroll is beautifully carved in the Guarnerius tradition matching in material and structure on the back. The instrument is stamped with the makers mark on both the inside and back of the instrument near the button. With all that said, it is overall a very fine cello, especially considering its age. I have in my possession the original sales slip and appraisal dating back to November 19th, 1977.
Bachle has won many awards for his sound and craftsmanship.
Time has been flying over the past year. Almost one year ago today I decided to buy Fegley’s Violin Shop. Although at 25 it came on as no small task, I quickly learned that I have been building up to do this almost my entire life. As a kid, I was always building things with my hands – whether it was a ramp for my bike or a tree fort that my brothers and I should have never trusted to hold our weight. There was always a constant project to overcome. So ultimately, I truly felt honored when Margie Fegley approached me about taking over the business. I knew that it was in my cards at some point; I just didn’t think the opportunity would present itself so early on in my career as a Luthier.
I was terrified if I am being completely honest… Fegley’s has been in the area for over 35 years and I didn’t know if I was really ready or not to take on running my own business. Plus, quite honestly, I liked the freedom in working 40 hours per week and having the ability to sleep in on a Saturday morning if I wanted. Who doesn’t? But I quickly learned it was about much more than that – I realized that I am a “live to work” type and not the other way around. But I can hardly call what I do “work”. I love being at my workbench and creating pieces of art that will last well beyond my years. The only problem is that my art has to produce sound at the end of the day… I pour my blood, sweat and yes sometimes tears into my instruments.
I am a strong believer that some people are just meant to do what they want to do. And I feel like I am right where I belong: at my workbench with my tools and overly expensive wood. I feel fortunate to have found such a tedious craft that I can apply my personality and attention to detail… A deadly combination in striving to become a young maestro.