Category Archives: String Instruments for Sale

Stanley Kiernoziak- $14,000

I don’t blog nearly enough… I hate to admit that it is hard for me to sit in front of my computer when I see my workbench and tools right next to it waiting for the next project! I will try to be better about taking the time to write about some of the fine instruments I have collected so far, key word there is try! So don’t be too hard on me.
Although I am a great fan of fine older instruments I am a realist, not all of us can afford the luxury of a million dollar Stradivari so most of us start with fine copies by modern makers.
One of the better modern Violas I have come across is a Stanley Kiernoziak made in Chicago in 2005. Kiernoziak studied in Poland.

He is known for being very successful with his violas making for the William Harris Lee Company; his number of violas made far exceeds violins and cellos, smart man! Everyone loves a modern viola! Kiernoziak’s instruments are known for their strong projection and warm tonal qualities.

So much so that he was awarded a VSA certificate for tone in the quartet competition. I have seen Kiernoiak’s viola sell for over $17,000. This particular Stanley Kiernoziak viola is a 16” and is one of my favorite modern violas I have in the shop right now, as a maker it is refreshing to find inspiration in a modern instrument.

Make an appointment to stop in and play it!

Kiernoziak Viola 2Kiernoziak Viola 3Kiernoziak Viola 4Kiernoziak Viola 5Kiernoziak Viola 1

Luthier Stick Up!

A few months ago, I finished building a pair of instruments; a Guadagnini viola named “Bonnie” and a Del Gesu’ violin named “Clyde”. I know, quite clever pairing such a historical couple such as Bonnie and Clyde, just seemed like the perfect way to carry on the names of my latest instruments. “Bonnie” quickly found a home replacing my first viola with a local Reading Symphony player while I got to spend a little more time with “Clyde” which I still am trying to find the right home for at the moment. I have had plenty of dealers offer to sell my instruments for much more than my current asking price in little old Reading, Pennsylvania. But I still can’t see myself boxing up my instruments and shipping them off to a big city where I might be able to seek a higher price. I guess I am more than slightly attached to my instruments as I spend countless hours at my workbench refining every single detail. I like to find the right player to care for my instruments, call me selfish but I love being able to maintain and see my instruments on a yearly basis, watching them grow together as one with the player. I love making new instruments for all shapes and sizes but I especially enjoy making for the younger generation as they tend to show so much potential and growth as they get older and the player and the instrument really do begin to grow as one.
All this to say, my job as a Luthier is only half complete without the player. So I will admit that I will continue to be selfish with my handmade instruments and find the right home for each and every one…
Viola PurflingViola PurflingViolaIMG_3651Viola F-holesViola VarnishViola Varnish Antique

Good Day, Young Maestro

Fegley's Instruments & Bows

Time has been flying over the past year.  Almost one year ago today I decided to buy Fegley’s Violin Shop.  Although at 25 it came on as no small task, I quickly learned that I have been building up to do this almost my entire life.  As a kid, I was always building things with my hands – whether it was a ramp for my bike or a tree fort that my brothers and I should have never trusted to hold our weight. There was always a constant project to overcome.  So ultimately, I truly felt honored when Margie Fegley approached me about taking over the business.  I knew that it was in my cards at some point; I just didn’t think the opportunity would present itself so early on in my career as a Luthier.

I was terrified if I am being completely honest… Fegley’s has been in the area for over 35 years and I didn’t know if I was really ready or not to take on running my own business. Plus, quite honestly, I liked the freedom in working 40 hours per week and having the ability to sleep in on a Saturday morning if I wanted. Who doesn’t? But I quickly learned it was about much more than that – I realized that I am a “live to work” type and not the other way around.  But I can hardly call what I do “work”.  I love being at my workbench and creating pieces of art that will last well beyond my years.  The only problem is that my art has to produce sound at the end of the day… I pour my blood, sweat and yes sometimes tears into my instruments.

I am a strong believer that some people are just meant to do what they want to do.  And I feel like I am right where I belong: at my workbench with my tools and overly expensive wood. I feel fortunate to have found such a tedious craft that I can apply my personality and attention to detail… A deadly combination in striving to become a young maestro.