“Clyde” a nice Del Gesu’ violin copy that I recently made found it’s new home with a nice teenage boy. He is a very talented and humble young man. I can honestly say I feel very thankful I get to watch the partnership grow with time. Here are a few photos of the finished product.
This past year I have been copying a Stradivari Viola from 1672 known as the ‘Mahler’. It is the first of the 10 Stradivari Violas to be in existence today. While Stradivari made a couple thousand instruments he rarely made violas. There is going to be a Stradivari Viola being auctioned off this year and it is set to start the bidding around $45 million.
I can’t say that my prices will ever reach such a tremendous amount, but it gives me something to look up to as a maker. These instruments are high-end art, which is playable. You cannot take your Picasso off the wall and try to get enjoyment from playing it!
Times have changed and there are quite a few adjustments that I made to my Viola when I was drawing up the blue prints. I copied one side of the outline and mirror imaged it to have a very symmetrical final product. It is almost like drawing half of a heart on a piece of paper when we were kids and folding the piece of paper in half before we cut it out to make a perfectly symmetrical heart, make sense?
I also removed the ‘wings’ from the sides of the scroll, exactly how you see cello scrolls today. It makes playing for the musician slightly more difficult; I also took the original scroll size and reduced it by about 15-20%. Again I did this strictly for the playability factor. I am almost done with my final scraping and rounding of the edges before this Viola gets to spend some time outside tanning.
Check back to see the finished product being varnished!
Time has been flying over the past year. Almost one year ago today I decided to buy Fegley’s Violin Shop. Although at 25 it came on as no small task, I quickly learned that I have been building up to do this almost my entire life. As a kid, I was always building things with my hands – whether it was a ramp for my bike or a tree fort that my brothers and I should have never trusted to hold our weight. There was always a constant project to overcome. So ultimately, I truly felt honored when Margie Fegley approached me about taking over the business. I knew that it was in my cards at some point; I just didn’t think the opportunity would present itself so early on in my career as a Luthier.
I was terrified if I am being completely honest… Fegley’s has been in the area for over 35 years and I didn’t know if I was really ready or not to take on running my own business. Plus, quite honestly, I liked the freedom in working 40 hours per week and having the ability to sleep in on a Saturday morning if I wanted. Who doesn’t? But I quickly learned it was about much more than that – I realized that I am a “live to work” type and not the other way around. But I can hardly call what I do “work”. I love being at my workbench and creating pieces of art that will last well beyond my years. The only problem is that my art has to produce sound at the end of the day… I pour my blood, sweat and yes sometimes tears into my instruments.
I am a strong believer that some people are just meant to do what they want to do. And I feel like I am right where I belong: at my workbench with my tools and overly expensive wood. I feel fortunate to have found such a tedious craft that I can apply my personality and attention to detail… A deadly combination in striving to become a young maestro.