The Guadagnini cello is suntanned and ready for some varnish! The hard part is making sure to let your instruments get a nice base before jumping into varnish work… Easier said than done because you have this beautiful instrument in the white that you just spend endless hours making and perfecting.
Then you need to wait to work on it once you are done. It doesn’t seem fair, but patience is the key!
Allowing the instrument the proper time in the sun allows for the varnish process to go quicker and more smoothly.
Here is ‘Evergreen’ the Guadagnini 7/8 cello I have been hand making with a nice suntan and the first ‘ground coat’ prior to varnish. I am anxious to see how this little cello ends up sounding!
A few more weeks of varnishing and cure time and this thing will be ready to sing!
As I work on this current violin build I will continue to give updates on my progress! Or at least I will try to force myself to sit down and write a blog every week or two…
This build has been quite challenging, it is hard to match perfection that was built so long ago. This instrument is just a few months shy of being 300 years old! So take that into consideration when seeing pictures of the original!
Attached are photos of the f-holes being carved, I always have an extra sharp knife when planning my attack on the f-holes. Stradivarius f-holes are extremely precisely cut and lay on the instrument beautifully. I draw on one f-hole at a time letting them lay just right before finalizing both f-holes to make sure that they are straight and I have all of my proper measurements according to the original.
I always carve about 95% and make myself walk away from the work. This allows me to return with a fresh set of eyes, seeing things that I would have never saw if I continued to stare at the f-holes trying to finish in one sitting… Enjoy!